It Won’t Work That Way

I don’t find this one particularly convincing, but I had to try out the dash-fade.  I also think this one sheds light on what I liked about the last one.

(A little story, mostly so I will remember.)  In my first try at graduate school my carpool friend was an animation major.  Her first projects were to do one short film where the figure moves on a relative stationary background (like a LoonyToons Cartoon) and the other had to be a figure moving through a room, where the figure remains relatively stationary and the background is continually redrawn (like a chase scene from an old old cartoon).  I think if I can work with the sort of inevitable journey type feeling the constantly redrawn backgrounds produce, I might be on to something.


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